Hey y'all, my Aunt Stephanie sent me a request: scoping out this year's Oscars. So rather than leave the fun for her, I decided to post about it here. Hurray for being inclusive! I'll include my personal opinion on what I'd like to win as well as what I think will win. Anyways, let's begin.
*indicates films I haven't seen yet
Best Writing/Original Screenplay
Bridge of Spies*
Ex Machina
Inside Out
Spotlight*
Straight Outta Compton*
My opinion: this was tough, especially with how much buzz there is about nearly all of these films. However, I would personally vouch for Inside Out as it has big laughs, big personalities (5 of them, in fact) and functions as a full story even without the personality dialogue. What I think will win is Spotlight, as from everything I've heard about that film it sounds like it would mesh with a very wide audience and focuses on a gripping, not often discussed, but still major event. Also, the writing is of course wonderful.
Best Adapted Screenplay
The Big Short*
Brooklyn*
Carol*
The Martian
Room*
My opinion: The Martian is fabulously written, with Matt Damon's dialogue and strong supporting characters supporting him. What will win I believe is The Big Short, which I'm in the process of reading, as it is wildly funny and tells a manipulative, domineering tale of businessmen cornering the global market.
Best Visual/Sound Effects
Ex Machina
Mad Max: Fury Road
The Martian
The Revenant*
Star Wars: The Force Awakens
Bridge of Spies*
My opinion: All of these films did a brilliant job of creating an immersive, unique experience. Ex Machina brought you into the mind of a manipulative and captivating AI, Mad Max featured huge explosions and breathtaking views of the Australian outback, The Martian did something very similar, and I haven't seen Bridge of Spies or Revenant, so I can't comment on those. However, I feel like the film this year that did visual and audio design the best was Star Wars: The Force Awakens.
JJ Abrams uses movie magic to bring you back to the glory days of the sci-fi franchise. Brilliant dogfights, breathtaking landscapes, and spot-on sound design bring the viewer into a space opera with through-the-roof production values, and the production that came out of it showcases those values with aplomb.
Best Cinematography
Carol*
The Hateful Eight*
Mad Max: Fury Road
The Revenant*
Sicario*
My opinion: I haven't seen 4 out of 5 of these films, so let's talk about Mad Max! Mad Max is the most impressive feat of cinematography I've seen in a film. The movie is one take, and one long race told from different viewpoints. It's BREATHTAKING and a huge undertaking. Take a look sometime, I certainly liked it.
Best Actress in a Lead Role (Daisy Ridley is not nominated but still wins)
Cate Blanchett, Carol*
Brie Larson, Room*
Jennifer Lawrence, Joy*
Charlotte Rampling, 45 Years*
Saoirse Ronan, Brooklyn*
Best Actor in a Lead Role
Bryan Cranston, Trumbo*
Matt Damon, The Martian
Leonardo Dicaprio, The Revenant*
Michael Fassbender, Steve Jobs*
Eddie Redmayne, The Danish Girl*
I've trumpeted on about Martian long enough, but from what I understand this may be the year that ol' Leo gets an Oscar.
Best Picture
The Big Short*
Bridge of Spies*
Brooklyn*
Mad Max: Fury Road
The Martian
The Revenant*
Room*
Spotlight*
KINGSMAN WINS
Ok thanks for reading, I may have some sort of arbitrary award ceremony of my own in a few weeks, we'll see.
What do you still want to see?
ReplyDeleteI've seen Brooklyn, Bridge of Spies, and The Martian. Still want to see Joy and Room.
Mick and Sean saw Hateful Eight on Sunday- they liked it.
Too bad we can't watch Oscars together. We always do a contest with prizes! Perhaps you can play virtually!
Maybe on Skype, perhaps? I'd love to see Spotlight, heard so much about it. Not sure about Revenant and Brooklyn has an intriguing premise especially since its lead has the same story as her character.
ReplyDeleteI hope Daisy remembers to thank you in her acceptance speech! 😉
ReplyDelete